As far as concepts go, Meg rarely has any preconceived ideas as to what she is going to create. When she picks up a piece of clay she has no idea what she may end up with. She has a slew of little personalities that are played out in various ways to give her sculptures wonderful character.

Meg’s formal training is in design, not fine art, so every sculpture is a learning experience. She gets away with whatever the clay will let her. Meg tries all kinds of new things to cast different moods and feelings onto the clay. Her techniques change constantly and that is what makes it exciting.